Australian Community Media unlocked sustainable growth when it turned its Explore travel brand into a network‑native product across more than 80 mastheads.
In an INMA Ideas blog, Sydney-based publisher Kate Cox explained how the changes took place. “For years, publishers have optimised for destinations: building websites, growing audiences, and trying to drive loyalty,” she says. “But audiences don’t behave that way any more.”
ACM stopped treating distribution as “something that happens at the end” and rebuilt Explore as a network-native product. “The result wasn’t just growth; it was a system that delivers it,” she says.
“Explore wasn’t struggling. It had a clear editorial voice, a loyal audience and strong commercial relationships.
“The print section – now published in 28 regional and community newspapers across Australia – was growing week on week. But by early 2025, digital growth on its standalone site, exploretravel.com.au, had settled into a familiar pattern: seasonal spikes, then a return to baseline.
“It looked healthy, but it wasn’t scaling,” she says.
At the same time, ACM had more than 80 digital mastheads with scale and trust, but no consistent, premium travel product across them. Explore existed, but as a standalone site, it sat outside the network’s daily flow. “Explore had the journalism. The network had the audience,” she says. “They just weren’t set up to work together.”
Cox says the problem was product, rather than content.
The change wasn’t about pushing Explore harder as a site. It was about redefining what the product needed to be. Instead of a standalone destination, Explore became something that lives across the network, designed to surface wherever the reader happens to be.
“That meant rethinking how stories are made,” she says. “Not for a homepage, but for feeds, search, and context – whether someone landed from our news site in the coastal city of Newcastle or a late-night Google search.
“In that environment, readers don’t need to remember where something lives. They just need to recognise it when they see it.”
The data had been pointing in that direction for a while. The stories that consistently performed weren’t the big, glossy features. They were the ones that helped people make decisions: what’s changed, hacks to watch out for, and where the value is. “So we developed clearer formats, more consistent packaging and a tone that prioritised what readers needed to know,” she says.
The biggest shift wasn’t editorial but operational. In a commission-once model, stories were created with a clear role and then deliberately deployed across the network. This meant better use of good journalism and more consistent output without increasing workload.
“At the network scale, systems matter. Tagging matters. CMS usability matters. Explore backed the shift with a cleanup of taxonomy, workflows, and publishing tools, alongside a cleaner, more useful site, including text-to-audio and improved search.
“This work on time-consuming technology, product, and UX quietly underpinned everything else,” she says.
Since the April 2025 migration, baseline pageviews grew 270 per cent, and held; organic traffic increased 237 per cent; newsletter traffic increased 291 per cent.
In 2025, Explore reached 2.1 million users, with a monthly average of ~176,000 and a peak of more than 300,000.
“The most important shift wasn’t the peak, but the baseline,” she says. “The audience stopped dropping away between spikes. Growth became something the system delivered – more predictable, more repeatable, and less reliant on one-off wins.
“Some publishers are still trying to solve for growth within a single site – optimising pages, tweaking formats, publishing more. That still matters, but it’s not the whole picture any more.
“Audiences are moving through networks – across titles, platforms and formats – often without thinking too much about where they are, only whether what they’re reading is useful, trustworthy and worth their precious time.
“The opportunity is not to push harder within a single site, but to design products that work wherever they land.
“The network isn’t just a channel you flick on at the end. It’s the product.”